I was privileged recently to have the opportunity to meet Danish-born photographer Peter Funch and preview some of his latest work, including, among other pieces, some especially captivating photographs capturing the 2013 intentional destruction of the Amelia Earhart bridge over the Missouri River. Funch's work reveals similarities, sometimes absurd, in the way we interact with, and move through, the city. Like the destruction of the bridge, staged events can become reality, and vice versa.
-icg